計畫摘要表

姓名：王儀君

單位：語言與文化中心

計畫題目：Geography and Spatial Politics in Three Shakespearean Plays

關鍵字：社會化、醫學教育、臨床見習

計畫摘要：

I-Chun Wang

Kaohsiung Medical University

Histories always deal with the construction of cities, announcements of new eras, and strategies of reformations; human history also show that bitter human experience of struggle, disputes and wars involve shifting identities or rivalries. Among Shakespeare’s war plays, Henry IV, Part One, Henry V, and Henry VI Part One are the most significant representations of the war, and Henry I culminates the conflicts between France and England. This play refers to the Treaty of Troyes, an Anglo- French Treaty in 1420, which recognizes Henry V as heir to French throne, resulting in internal divisions and tremendous chaos of France. Henry VI, Part One, for example, refers to the intrigue, spatial contest, politics of kingship and spatial struggle between England and France. Calais had been an enclave of England in France before Henry V succeeded to the throne; securing Calais, Henry V, the warrior king of England, tried to build up another enclave at Harfleur. With Anglo-Burgundian alliance, dauphine Charles and Joan de Arc faced two enemies, England and Dukedom of Burgundy. England and Burgundy had been allies against France in the Hundred Years’ War since 1415. Burgundy, because of its geographical location, is the key role in the tug war of the two forces. 

Geography and Contesting identities are two intertwining motifs in Henry VI, Part One. Shakespeare portrays the conquest of France by England and represents diplomatic relation and shifting identities through geography and spatial politics through Burgundy. This project, by examining the conflicts between France and England, will explore territory disputes and spatial politics in an era when the boundary politics was floating.  

最近五年出版

期刊

1. Wang, I-Chun and Asun López-Varela. “Allegories of Imperialism: Barbarians and World Cultures.” Cultura: International Journal of Philosophy and Axiology. Special Issue on Allegories of Imperialism edited by I-Chun Wang and Asun López-Varela. 12.1 (2015): 7-16.  (AHCI)
2. Wang, I-Chun. “Colonial Memories: Anxieties, Environment and Cultural Encounter in Paul Green’s The Lost Colony.” Special Issue: Migration and Memories Canadian Review of Comparative Literature 42.1 (2015): 107-120. (邊城與宮廷；ERIH 歐盟人文期刊索引列為A級)
3. Wang, I-Chun. "The Canon and Shakespeare’s Plays on the Contemporary Asian Plays." CLCWEB. Special issue on Western Canons in a Changing East Asia. 16.6 (2014): 1-10. <http://docs.lib.purdue.edu/clcweb/vol16/iss6/>〈邊城與宮廷〉
4. Wang, I-Chun. “Zenobia as Spectacle: Captive Queen in Arts and Literature.” Journal of Comparative Literature and Aesthetics 36 (2014): 75-85. (MLA Periodicals Masterlist) 〈邊城與宮廷〉ISSN: 052-8169.
5. 王儀君。〈帝國奇觀：英國近代早期歌劇中之殖民與族裔想像〉。《英美文學評論》22 (2013 June): 1-32。(THCI Core)〈疆域論述〉
6. Wang, I-Chun. “Introduction to Asian Culture(s) and Globalization.” By Wang, I-Chun and Li Guo. Special issue: Asian Culture (s) and Globalization. Eds. I-Chun Wang and Li Quo. Comparative Literature and Culture WEB Journal 5.2 (2013) (AHCI) http://docs.lib.purdue.edu/clcweb/vol15/iss2/
7. Wang, I-Chun. “Globalization and Theatre Spectacles in Asia.” Special issue: Asian Culture (s) and Globalization. Eds. I-Chun Wang and Li Quo. Comparative Literature and Culture WEB Journal 15.2 (2013) (AHCI). (editor and author)
8. Wang, I-Chun. “The Semiosis of Imperialism: Boadicea or the 17th-Century Iconography of a Barbarous Queen.” Cultura 9.2 (2012): 227-36. (AHCI)〈疆域論述〉
9. Wang, I-Chun. “Alexander the Great, Prester John, Strabo of Amasia, and Wonders of the East." Special issue on New Works on Journey, and Its Portrayals. Editor: I-Chun Wang. CLC WEB Journal 14.5 (December 2012) (AHCI). (editor and author) 〈東方想像〉http://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=2137&context=clcweb
10. Wang, I-Chun. “Introduction to New Work about the Journey and Its Portrayals.” (Not Turning Native: Identities in Early Modern Travel Narratives) Special issue: New Works on Journey, and Its Portrayals. Editor: I-Chun Wang CLC WEB Journal) 14.5 (December 2012) 1-9. (AHCI) http://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=2134&context=clcweb〈疆域論述〉

專書

王儀君。《帝國與族裔：英國近代早期戲劇中的國族主義與身份認同》。高雄：國立中山大學出版社，2011。共207頁。(圖書出版獎勵)〈東方想像（2/3）〉(第五章〉(第六章〉；〈疆域論述2.1〉(第一章〉(第二章〉(第七章〉(ISBN 979-986866475-9)

專書內論文

1. Wang, I-Chun. “Shakespeare’s Cymbeline in the College English Classroom during the Sunflower Student Movement” Doing English. Eds. Sheng-mei Ma and Patricia Heseltine. (to be published by Rowman and Littlefield) (forthcoming in 2016) 〈疆域論述〉
2. 王儀君。〈移動的疆界：凱薩琳．欻特劇本《瑞典革命》中之城市、國家主體與疆界〉。《海洋．地理探索與主體性》。高雄：國立中山大學人文研究中心。。1-21。(邊城與宮廷
3. 王儀君。“Geopolitics and Territorial Contests in The Battle of Alcazar and The Constant Prince.” Cityscapes: World Cities and Their Cultural Industries. Champaign, Illinois: Common Ground, 2014. 147-160.〈疆域論述〉(ISBN: 978-1612293707)
4. Wang, I-Chun. “Fashioning the Self as the Other: John Dryden’s Conquest of Granada.” Expanding the Frontiers of Comparative Literature: Toward an Age of Tolerance. Vol. 2. Ed. Sung-Won Cho. Seoul: Chung-Ang UP, 2013. 251-65. Selected Papers out of 2010 Conference held by International Comparative Literature Association. (ISBN: 978-89-7201-290-4)〈疆域論述〉(世界比較文學會議篩選論文)
5. 王儀君。〈利奧‧阿扶里卡納思：疆域論述〉。《海洋歷史文化與邊界政治》。高雄：國立中山大學人文研究中心。2012 。201-28。(人文中心計劃) (ISBN 9789860328615)
6. Wang, I-Chun. “The City as Contested Zone: Rhodes and Malta In Three Early Modern English Dramas.” Eds. Jonathan White and I-Chun Wang. Cambridge: Cambridge Scholar, 2012. 42-60. 〈疆域論述〉(ISBN 978-1-4438-3719-4)